Agostino: A 13-Year-Old’s Coming of Age Story

The uncomfortable and intimate relationship between a mother and son in Agostino felt similar to that of Swann’s way. Yet, Agostino’s desire for his mother was much more sexual. 

To begin, I noticed there was a lot of language about bodies, particularly women’s bodies. This, in combination with the crying and nakedness of the body in this story, provides a theme of what I believe is vulnerability. The narration surrounding women’s bodies was borderline erotic, in which the descriptions about breasts were vivid. Due to the narrator focusing solely on Agostino’s thoughts, I gathered that these descriptions may be from Agostino’s point of view. That is, Agostino views his mother’s body so lustfully. Agostino wishes to say to his mother, “cover yourself, stop showing yourself to me, I’m not who I used to be” (60), though his mother may not be trying to show herself to him, rather he does not have the self-control not to look. This is also shown by, “alone with his mother, he felt prey to every temptation” (71). Furthermore, it seems as though Agostino is looking for maternal care from the sex worker at the end of the book. 

Agostino compares his mother going on the boat with another man to his cousin choosing to dance with another boy. The narrator writes that Agostino feels abandoned, but is unhappy even when his mother brings him along. This feels as though he has an anxious attachment style where he fears his mother feeling happy with someone else. While he appears to be fearful of rejection and humiliation, also shown by “no one noticed except Agostino. But he was mortified beyond measure and had the impression that everyone had witnessed his humiliation” (7), he did not feel so embarrassed upon being rejected by the other boy in the game of cops and robbers on page 17 and 18. This prompts readers to wonder whether this fear is greater around women or family members. 

As 13-year-olds often are, Agostino is trying to find a place to fit in, going as far as “decid[ing] to be the person [the other boys] wanted him to be, one identical to them” (73). These boys were older than him, and he tried his hardest to mimic their behaviour despite being repulsed by it. On page 98, after being rejected by the sex worker, Agostino was the most upset that “the two men had treated him like a child” (98). On the very last page, Agostino is upset and says to his mother, “you always treat me like a baby” (102), despite the fact that “he wasn’t a man, and many unhappy days would pass before he became one” (102). This ties together that this book is a coming of age story, simply one that we may not be used to due to the themes of sex and, well, a preteen’s desire for his mother. 

I would like to know what you think of Agostino in the comments.

  • Do you think that Agostino is a people pleaser, as he does things to upset his mother yet longs to be accepted by everyone?
  • How does the limited omniscient narration affect this story? (i.e. the narrator is in third person but focuses on Agostino’s thoughts)

8 responses to “Agostino: A 13-Year-Old’s Coming of Age Story”

  1. Hey Tiffani,
    Interesting post!
    “The uncomfortable and intimate relationship between a mother and son in Agostino felt similar to that of Swann’s way. Yet, Agostino’s desire for his mother was much more sexual.”
    Yes, there is a similarity at that point with Swann’s way. Why do you think there is a more marked sexual attitude in Agostino? I ask because you state that this story of coming of age is one that we are not used to because of the sexual element. Do you think that the sexual theme is a bit exaggerated, “unreal” or more contingent to Italy and at that time?

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    1. Hey Patricio,

      I don’t know much about Italy in the late 1940s, but I also imagine that a son feeling lustful for his mother has to do with his individual situation. That is, while the culture in Italy affects him, other children in Italy are not all likely to have the same feelings. According to Freud’s idea of the Oedipus Complex, a child feels desire for their opposite-sex parent and competition towards their same-sex parent. I believe that the fact that Agostino’s father was absent removed the competitive aspect of the Oedipus Complex and therefore Agostino faced fewer barriers in ‘pursuing’ his mother. While the Oedipus Complex highlights desire and not sexual desire, it is typically seen in younger children. I theorize that due to Agostino not having competition, he may never have suppressed or grown out of his desire for his mother, which became sexual as he matured.

      In Swann’s Way, the narrator appeared to be reflecting at a time when he was much younger than Agostino, therefore was more innocent. He was being tucked into bed at night by his mother. This child also had a father who was much more involved in his life, possibly pushing him to ‘grow out of’ his desire for his mother’s attention.

      While this conversation is uncomfortable, I wonder if the sexual attraction between children and parents is more common than what we think — in pornography, there are many storylines surrounding sons with their mothers and daughters with their father. However, due to the storyline in pornography being notoriously unrealistic, we have, (at least in Western Culture,) normalized this scenario in pornography. However, one must consider the number of people who watch these videos. This could suggest that Agostino’s ideas may not be entirely uncommon and we are simply not used to this scenario being presented to us in this way (in a novel as well as from the thoughts of a child).

      Thank you for leaving a comment!

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  2. Hi! Thank you for your post. To answer your questions, I do think Agostino is a people pleaser as he is extremely sensitive and values others’ impressions over his thoughts, especially in terms of his mother. Nevertheless, this is also a personality he attempts to get rid of during later parts of the novel but seemingly fails to a large extent. Also, the third-person point of view is relatively ineffective in my opinion in terms of creating profound and detailed psychoanalysis of Agostino, therefore creating a “blind spot” in the narrative process of the novel to some degree.

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    1. Hi Michael,
      Thank you for your comment. I can understand what you mean by the narrative perspective being ineffective, though I wonder if the purpose of it is actually to make it more difficult for readers to feel as though they are Agostino, rather than viewing him from a seemingly unbiased perspective. However, as you and I know, we would still feel heavily attached to Agostino due to the narrator only speaking Agostino’s thoughts.

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  3. Hey! Great post! I found your thoughts on Agostino searching for a maternal figure in the sex worker, as well as his anxious attachment style, particularly compelling. In response to your questions:
    – I do believe Agostino is a people pleaser. As you’ve illustrated, he obviously is willing to change in order to be accepted by the other boys. Even when trying to upset his mother, he wants to be close to her (a little too close to her) at the end of the day.
    – I liked the narration style. I think it succeeds in placing readers in Agostino’s mind, but also provides enough separation to view him simply as he is: a confused boy in a tumultuous time of life. So we’re in his head, but the third person keeps us removed just enough, you know?
    Anyway, thanks for sharing your thoughts!

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    1. Hey Neko,

      I completely agree with you!

      For instance, when Agostino runs away from his mother and is found by the other boy, he was secretly hoping that his mother would walk into the room despite hiding from her.

      The narration style was definitely a breath of fresh air as I feel that many stories that I do read are in the first person. I think that it provides enough space to really tell stories as they are — we are less worried about having an unreliable narrator.

      Thank you for leaving this comment!

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  4. I loved reading your blog post! I think that Agostino is a people pleaser. He disobeys his mother and has feelings of the need to talk back to her and yell at her. Before he met the gang of boys Agostino loved his mother dearly, saw her body like an angel and admired her beauty. Once the boys had the effect on him he started to sneak away, take time away from his mother and do anything he could to get the boy’s attention at the end of the book. He even gives in to talking about his mother shamefully with the boys which is very different from pre-Agostino meeting them. This proves that he is greatly affected by others’ influence and disregards all the thought that was moral and appropriate before at the expense of being cool.

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    1. Hey Alyssa,

      I really like how you said “pre-Agostino meeting them”, as it really highlights the change in attitude that he has throughout the novel. I definitely think that it is attitude and behaviour rather than his actual personality/character. Although he acts like this towards his friends, he still finds comfort in his mother and loves her dearly. You’re right that he is an easy target of peer pressure, which is very common in children his age. I wonder if that is a phase that most people go through, as there is a very prevalent conversation in informal education in the Western culture surrounding peer pressure. Maybe he will grow out of it?

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